Remembering Dolly Parton
About This Episode
We’re remembering Dolly Parton—one of those stars who seemed to be everywhere when we were growing up. From “9 to 5” and “Islands in the Stream” to movies, television, and a career that just kept growing, Dolly became part of the soundtrack of Generation X. This time, we’re looking back at her life, her generosity, and the legacy she leaves behind.
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(May contain some explicit language.)
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Show Notes
- Official Dolly Parton Web Site » www.dollyparton.com/
- Country music legend Dolly Parton dies of cancer at 80 » bit.ly/4ylQJ92
- Dolly Parton | Rock & Roll Hall of Fame » bit.ly/4xdy3aA
- “They call me the Book Lady”: The Story of Dolly Parton » bit.ly/3UGuU5E
- Dolly Parton’s Good Deeds: A Timeline » bit.ly/4yo2vzH
- The Dollywood Foundation – Dolly Parton’s Imagination Library » bit.ly/4iTOk0J
- 38 All-Time Best Dolly Parton Quotes To Live By » www.southernliving.com/culture/dolly-parton-quotes
- Email the show » podcast@genxgrownup.com
- Visit us on YouTube » GenXGrownUp.com/yt
Transcript
| Speaker | Transcript |
| Jon | Welcome back, Gen X Grown Up podcast listener to this backtrack edition of the Gen X Grown Up podcast. I’m John. Joining me as always, of course, is George. Hey, George. |
| George | Hey, how’s it going everybody? |
| Jon | And, of course, would be a show without Moe. Hey, Moe. |
| Mo | Hey, how’s it going? |
| Jon | Good. We’re a little subdued. We’re a little bit maudlin right now. um uh we uh We had a different show planned for this episode, but as we record this. ah We have only spent three days on this earth without Dolly Parton on it. |
| Jon | And Dolly Parton wasn’t ever present. uh figure throughout our Generation X. childhood and life. So we’re remembering Dolly Parton in this episode, one of those stars who seemed to be everywhere when we were growing up. |
| Jon | nine to five, to Islands in the Stream, to movies and television, and a career that just kept going. She didn’t just sit and do one thing. She became part of the soundtrack of Generation X. In this episode, we’re going to look back at her life. |
| Jon | Her generosity. and the legacy she leaves behind. like We don’t often shift gears and do a remembering, but… There’s something about Dolly Parton that make me feel like we ought to do it. so Hmm. |
| Jon | That’s what we’re going to do. And it’s not going to be sad sack. We’re going to be celebrating. We’re going to be remembering. But it’s a little bit sad, of course. So before we get into that, I do have a very nice fourth listener email to share with you. Not an email, actually. It was a comment. |
| Jon | on the website. So people don’t know you can see an article and leave a message there. |
| George | oh |
| Mo | Okay. m |
| Jon | And Chad B. dropped us a line on the website. And he says, thanks, guys, for covering. Auf! |
| Mo | Oh, okay. |
| George | yeah |
| Jon | Yeah. |
| Mo | You’re welcome. |
| Jon | Looking. Yeah. Looking back now from our current age of disclosure, we can see how important it really was. I remember a print ad before the show came out where you could talk with Alf by dialing a number. |
| Mo | ah |
| George | Oh. |
| Jon | It was. |
| George | Hotlines! |
| Jon | Yeah, it was the first 900 number I’d ever experienced. |
| Mo | Yep. |
| Jon | The only, i think he says, I remember my dad being sore about the bill. |
| George | ah |
| Jon | Who the heck spent $3 calling this weird number, he said. |
| George | ah |
| Jon | Only $3? Wow. Back then, you didn’t just haul off and call long distance or some weird number that charged money. |
| Mo | Yeah. |
| Jon | Yesterday, I received the ALF Viewmaster set I ordered after listening to you guys. talk about our furry cat eating friend. |
| George | ah |
| Mo | instance system Cool. |
| Jon | we We have been known to cause people to spend money. It’s true. So sorry, Chad, but not sorry. |
| George | I just spent it the last episode. |
| Jon | cause I know, right? |
| Mo | Yeah. |
| Jon | It always happens. um It is actually a terrific set of Viewmaster Reels, actually on set, 3D photography, and a decent story. |
| George | oh Nice. |
| Mo | cool |
| Jon | Put that on my… to keep an eye out for a list. He wraps it up saying, anyway, thanks for the good times, Chad. |
| Mo | Very cool. |
| Jon | Yeah, we appreciate you, Chad. Yeah, we keep getting feedback on the ALF episode, even though we all talked about how it wasn’t the greatest show ever. We damn sure all remember it. And we had some relationship with it. So. If you hear something in an episode and you want us to know what it made you think of or what it made you buy, we’d love to hear from you. Just hit us up at podcast at genxgrownup .com. Read every single one. And most of them, like Chad’s, will eventually. Make the show. |
| Jon | Alright. With that good business in the rearview mirror, we’re going to jump into this. Remembering Dolly Parton track backtrack right after this very quick break. |
| Jon | Now, as we set up at the beginning of this episode, we’re spending this backtrack remembering ah the life and legacy and career of Dolly Parton. and but We don’t often, rarely do we change backtrack topics in the last second, but. Man, there’s been a lot. |
| Jon | a lot of impactful loss over the last just week or so. |
| George | o |
| Jon | ah We lost the young actress Hayden Pentieri, who was on Heroes and a lot of other cool stuff. More timely for Gen X, probably Tim Curry. |
| George | ah |
| Jon | Peter Cullen. |
| Mo | yes |
| Jon | Dolly Parton, obviously amongst those. And I think maybe it just. It welled up in me. I’m like. sometimes you just get those weeks or months where it’s like, Jesus. this Nobody prepared me for this much loss, you know? |
| Mo | This is a bad time. |
| George | I feel like it’s partly my fault because I recently just watched documentaries about all of these people except for Hayden Panettiere. |
| Jon | Really? |
| George | I watched them. on early Tim Curry, the whole… thing with Rocky Horror and Peter Cullen. did Did the icons on Earth… Transformers stuff recently and Dolly Parton I was watching stuff about her left right and center before she passed away |
| Jon | Right. Yep. Yep. Yep. |
| Mo | Mm hmm. |
| Jon | Yeah. |
| George | Man. |
| Jon | Yep. |
| George | Mmm. |
| Jon | So. We’ll talk about her legacy, the end of her life. That’s a topic for later. Right now, I want to talk about. What a beautiful woman. What a beautiful, I mean, in in her spirit, in her soul, in her face, in her presence, everything about her. |
| Jon | She was born 1946 in Tennessee. Dolly Rebecca Parton. In rural East Tennessee, as I said. the fourth of 12 children. |
| George | Mm-hmm. |
| Jon | In a very poor. but very musical family she spent a lot of time music in church In songwriting, she grew up surrounded by Appalachian folk music. Gospel. |
| George | Yep. |
| Jon | and her family. they were a very musical family she began writing songs as a young child and performing them in church. |
| Mo | God bless you. And one of the things I really love about her, she talks about that time and she says they were poor, but she says they were not unhappy. Like, she says they were a very… |
| Jon | Hmm? |
| Mo | like she had a it was a very happy family you know |
| Jon | Yeah. |
| Mo | And she always appreciated that fact. you know. |
| Jon | it Can’t you just tell? |
| George | Yeah. it |
| Jon | Like. |
| George | Mm. |
| Jon | She’s one of those women who Her public persona is one thing. We didn’t know her privately, obviously, but she always seemed. to make everyone around her. happier. |
| Mo | Mm hmm. |
| George | I… you know, |
| Jon | just in her presence. |
| George | You say we didn’t know her privately. You’re right. We didn’t like have a relationship where I called her on the phone every week. But she made you feel like you knew her. |
| Jon | Yep. |
| Mo | Yeah. |
| Jon | yep Yep. |
| George | in the way that she interacted with. her fans. Bwam. About to tear up. This is some bullshit right now, I’m telling you. |
| Jon | I know. I know. |
| George | Uh… She… she did so much for so many people. We’re going to get onto that part later on, but. |
| Jon | Oh yeah. Yeah. |
| George | i just think you know you talk about her being. the one of 12 children and everything. And it just brought the song back to my head. I completely forgot about it until you mentioned it, that coat of many colors song that she did the year I was born. |
| Jon | Go to many colors. |
| Mo | she says |
| Jon | Hell yeah. |
| George | I mean… Man. just |
| Jon | Mm hmm. |
| George | everything about her. |
| Jon | Yeah. Well… You’re you’re right. we They did not know her. You see how she treats everybody. |
| George | mm-hmm |
| Mo | Yes. |
| Jon | And it makes you go, well, if I met her. she’d treat me like that is how you felt you know and it probably would have right |
| Mo | Yeah. |
| Jon | Well, after performing in church, age 10. She became a regular on Kaz Walker’s radio and TV program in Knoxville, giving her early professional experience. She was right away recognized. |
| Jon | The next year, age 11. She recorded her first song called Puppy Love beginning her recording career before she hit her teens. |
| George | Mm-hmm. |
| Mo | ah |
| George | Wow. Mm. |
| Jon | Yeah. Then this is the part that like, Oh my, like. This is like a rocket taking off. and youre and we’re like We’re watching it in slow motion now. Age 13. She appeared. at the Grand Ole Opry. |
| Jon | Not just that. She was introduced by Johnny Cash. At 13 years old, I want you all to welcome this young lady. Dolly Parton, just sing a song for it. like Just Johnny Cash. |
| George | Yeah, I mean… and so Some of our listeners may be aware that I’m from Kentucky. And so that Appalachian region is very close to home. for me and i was just talking with my mother about this whenever we both found out that dolly had passed away And she was telling me how. |
| George | Apparently they went to the Grand Ole Opry when I was two years old. |
| Mo | hu |
| George | And they were going to see Dolly Parton. |
| Jon | Really? |
| George | as well as many other performers, because that’s how the Grand Ole Opry was. |
| Mo | oh |
| George | It was just, you know. |
| Jon | Mm-hmm. |
| George | like it was like a |
| Jon | It’s a variety show every night. |
| George | a kaleidoscope of music yeah it was awesome |
| Jon | That’s right. |
| George | Um, and I think this may, I don’t know if they were even on television at this point. It may have just been the radio broadcast back then in the early seventies. |
| Jon | Mm hmm. |
| George | But I was two years old. And apparently it’s my fault. That they didn’t get to see Dolly Parton because at some point during the trip from Kentucky to… Nashville. |
| George | I started crying and wouldn’t stop. Until… They turn the car around. And I stopped crying as soon as we crossed the border back into Kentucky, apparently. |
| Jon | but |
| Jon | Goodness. |
| Mo | I can’t believe you did that to your parents. |
| George | At two years old. I can’t believe I did it to myself. |
| Jon | How could you? |
| George | I want to kill my old two-year-old self somehow and still be alive now to make him… |
| Jon | Just kick him. |
| George | Oh, God. |
| Jon | Yeah. |
| George | Mmm. So sad. |
| Jon | Just missed. yeah Well, speaking of which. Like I’ve seen a lot of celebrities and performers, but I never had the opportunity to see. I mean, you had the opportunity when you were two, but missed out on it. |
| Jon | I never had an opportunity to see her. Mo was always bragging about people he saw in New York. Did you ever get a chance to see her in person live? |
| Mo | Oh, never. |
| Jon | No? Yeah. |
| George | I did |
| Jon | You did. Oh, you did finally. |
| George | Yeah. |
| Jon | Okay. |
| George | her and the Kenny Rogers tour. |
| Mo | Oh nice. |
| Jon | Oh, wonderful. Oh wow. |
| George | Yeah. Yeah, that was |
| Jon | That’s a… There. |
| George | dad got mom and i tickets and we all three went because you know It… |
| Mo | Because you ruined the two-year-old one. |
| George | King Roger Dolly Parton, right? You’re not going to go see that. I i don’t even remember if it was even a tour or if it was just an individual concert. but I was still pretty young at that point. |
| George | That was Islands in the Stream era, I think. |
| Mo | Yeah, yeah. |
| Jon | Mm hmm. Of course. Yeah. |
| George | So… Yeah, I just remember. like sitting there and I don’t think I appreciated it as much as I would now. |
| Jon | Mm hmm. |
| George | because I didn’t know who she was as much then. |
| Mo | Oh yeah. Sure. |
| George | Like I knew her as a singer and, you know, of course the movies and whatnot we’re going to talk about, but. |
| Jon | Right. |
| George | Man, just… A wish. i had done what I kept telling myself I should do. And um um for the last several years, I’ve been telling my wife and kids, we should go to Dollywood. |
| Jon | Mhm. |
| George | Because she performed there all the time, just off the cuff. |
| Jon | Yeah. |
| Mo | Yeah. |
| Jon | Yeah. |
| George | She would just show up and perform. |
| Jon | Yeah. |
| George | at her theme park. We should have done it. God. Damn it, this pisses me off. |
| Jon | Mm. |
| Mo | Yeah. |
| Jon | Well, let’s see. So moving along. she Grand Ole Opry at 13, as I said. um her uncle bill owens not to be confused with buck owens and other owens but her uncle |
| George | Right. yeah |
| Jon | ah was a songwriter, and he repeatedly… encouraged her to travel to Nashville. pitch songs, audition, just keep working. Like she had. she had a little bit of cred right she’d been performing she’d been ah So in 1964, she did that. |
| Mo | Yeah. |
| George | Mm hmm. |
| Jon | what her uncle recommended in 64 she moved to Nashville the day after graduating high school. Something, how many kids say the minute that I graduate, I’m out of here. but it wasn’t to get away from her family. |
| Jon | is because she wanted to be in the middle of music. |
| George | No. mm-hmm |
| Jon | She wanted to be in Nashville. |
| Mo | Yeah. |
| Jon | ah She pursued that music career. That’s also when she met her future husband, Carl Dean. |
| Mo | yes |
| George | o |
| Jon | short Shortly after she arrived. Like she graduated high school, moved to Nashville. met the young man who would ultimately be her husband her entire life. |
| Mo | Mm hmm. |
| Jon | they’re like it’s like Like it’s almost like her. her her Her life was mapped out. She was following this this course. By 66, songwriting. She had several attempts. |
| Jon | at red uh recording songs, but she began to get attention as a songwriter. She was co-writing songs that were being recorded by. Established country artist. |
| Jon | Her first. Real success in 67. dumb blonde, which I remember seeing her perform live. |
| Mo | so |
| Jon | on Oh, not live, pre-recorded on TV. And Something Fishy became her first notable country hits. |
| George | oh |
| Jon | Followed by… Her debut album, Hello. I’m Dolly. And let me tell you, that record was in my parents stack of vinyl. |
| Mo | excuse |
| Mo | I’m sure. |
| George | Yeah. I don’t know that there were too many self-respecting country fans that didn’t have that album my parents had a copy of it too i mean it’s |
| Mo | Oh absolutely. |
| George | It was iconic. |
| Jon | Mm hmm. |
| George | just Everything’s cheap. did like We’re just talking about the musical stuff right now. just Phew. |
| Jon | That’s a… That’s a fantastic point. We wouldn’t have… derailed our schedule and changed the plan for this backtrack. if Dolly Parton was just a great musical artist. We lose those all the time. |
| Mo | Yeah. |
| Jon | They’re fantastic people, but she’s had an impact beyond that. |
| George | m |
| Jon | It’s just kind of what we’re talking about, how she rose to prominence here. |
| Mo | Mm hmm. |
| Jon | But yeah, there’s. More and more. |
| Mo | And you mentioned… Yo. her meeting her husband there. And it’s just also one of those things that just makes you feel like what kind of person she was because |
| Jon | Mm hmm. |
| Mo | Her husband. I think he said he went to one award show. one And he’s like… |
| Jon | Yeah. |
| Mo | I’m never going again. He’s like, I don’t want to be in the limelight. He he said, I did one. |
| Jon | Yep. |
| Mo | It’s not for me. He said, that’s your side of the life. i’m i’ll support you but that’s And they were fine with that. like They said they were married for God. |
| Jon | Yeah. |
| Mo | but was it 50 years something like that some ridiculous amount of time 60 no longer than that and even 60 years at this point |
| Jon | Yeah. Yeah. |
| George | Honestly, I don’t even know Right. |
| Mo | um and |
| George | If she’d have ever divorced him, I’d have. put my hat in the ring. That’s for damn sure. |
| Mo | I know, really. |
| Jon | I think he passed he passed away ahead of her. And I think I read that she’s she’s being interred. |
| Mo | Yeah, last year, last year. |
| Jon | in the the same cemetery where… |
| Mo | Yeah. Yeah, he died last year. |
| Jon | where Dean already was. so |
| Mo | So. |
| Jon | Last year, yeah. Very cool. ah Okay, there’s so much more, but… The turning point, and this is the thing. we we used to We used to talk about this more in earlier backtracks where we tried to… |
| Jon | frame it and go, okay, it wasn’t a Gen X thing, but it was. big when we were Gen X. Clearly, Dolly Parton. was a boomer. She was older than us. |
| Mo | Yeah. |
| Jon | She was well-established by the time we were born. |
| George | Sure. |
| Mo | Yeah. |
| Jon | 1967, though. The Porter Wagner Show was… A big deal. It was this variety show. And. She got. hired to join on as a regular on this. thing It was the Porter Wagner show that I remember seeing her perform dumb blonde on. And it’s. |
| Jon | Uh, it was obviously a repeat. I wasn’t born yet, but I mean, that, that performance. Where. You know, it’s a… I don’t know if you know the song, but it’s like this anthem of like. that’s what you think i am but you’re wrong kind of thing you know it’s kind of what it is And she was making waves. |
| Jon | in a good way across music since getting on the Porter Wagner show. And Porter Wagner show was like my parents show. Like I didn’t tune in to watch that show. Right. It was my parents did. I saw it in reruns. |
| Jon | But it was from there. that she started to to gain prominence. ah When we get her back from the break, we’re going to kind of talk a little bit about how that prominence built and how we got to nowhere beyond just as a musical artist as she branched out a little bit. but So in the break. |
| Jon | As we’re leaving that last break, I ask you to think a little bit about the first time you recognized. who Who Dolly Parton was as a celebrity, as a personality or whatever. And since I. Through this extra surprise, I’ll start with myself, and I’m sure it was. |
| Jon | It was those records. Like I said, my parents. Um, my parents’ stack of vinyl. And of course, my dad, he was the one that was always joking about her bust. Right. Oh, I love Dolly Parton. |
| George | ah |
| Jon | Both of them. You know, one of those kind of jokes. |
| George | Right. |
| Jon | you know And i what I think is so miraculous is that. she rose above any of those jokes and let let people make jokes it’s fine whatever that’s that isn’t you know That doesn’t define me, and it clearly didn’t throughout her life. |
| Mo | Oh yeah. |
| Jon | Do you remember, Mo, your first like when you realized who she was as a celebrity and that she was a big deal? |
| Mo | Yeah, I mean I said I grew up in New York City country was not a big thing at all. |
| Jon | Right. Mm hmm. |
| Mo | You know, New York City had |
| George | Right. now |
| Jon | Not on the menu. |
| Mo | 50 radio stations, and maybe two were country. |
| Jon | Yeah. |
| Mo | Maybe, you know. Um, But it was like. Even as a kid, it’s like, there’s like… We knew who Dolly Parton was. Like the same way we knew who Willie Nelson was, right? um you know |
| Jon | Yeah. |
| George | oh |
| Jon | Right. |
| Mo | you know and the man in black you know they said there were just certain names that just sort of transcended all of that |
| Jon | Right. |
| Mo | genre and just everyone knew. |
| Jon | It’s not country. He’s an artist. Happens to start country. |
| Mo | Yeah, you know who they are. |
| Jon | yeah Yeah. |
| Mo | ah But really, it’s like. um like i said i knew her from her before but really wasn’t until She did 9 to 5. It suddenly was like, oh. |
| George | Oh yeah. |
| Jon | There you go. |
| Mo | you know, that was like the big, like, Oh, like I said, I knew her, I knew her music. |
| Jon | Yeah. |
| Mo | It wasn’t something I listened to constantly, but I knew a few of her… her biggest songs but then nine to five was like then it was like oh she was just Everywhere after that. |
| Jon | Blue light open. How about you, George? You remember? |
| George | Yeah, I mean… Just like you. |
| Jon | It wasn’t when you were two, we know that. |
| George | um |
| Mo | ah |
| George | it were No, no. I mean… Probably, you know, I i know my parents listened to her music all the time on records and in the car on the radio and whatnot at that point, but… |
| George | I think probably the first time I recognized Dolly Parton as an individual, not just a voice coming out of a speaker. was probably one of her duets with Conway Twitty. |
| George | I think she she used to do these duets with a lot of different… |
| Jon | Yes. Ooh. |
| George | of the male country artists at the time. It was kind of like… Before we had Marvel crossover universe stuff, this was the crossovers. of the day and it was always in music and i just remember Um, |
| George | She had… Even till… just this week she just had the voice it’s the only way i can describe it it was the perfect female |
| Jon | Oh yeah. |
| George | country voice. for what she was doing. the soulfulness that she would put into every single lyric that she wrote or sang. And. even as a young person she would sing And yeah. |
| George | you you know Especially as a young man growing up through your early… pu prepubescent and, pubet you know, teenage years. |
| Jon | Hm? |
| George | You see the bust, you see the outfits and everything. And John, you said that. She rose above that. Sheep! rose above it in in a unique way like she made fun of it herself in a way like she was always like |
| Mo | Oh yeah, big time. |
| Jon | Hmm? |
| George | didn’t matter to her she was like i wanted to be a hooker you know she she didn’t care she Nothing about her was embarrassed. |
| Jon | No. |
| George | And maybe that’s because she started this journey at such a young age, but she was never self-conscious. She knew who she was, what she wanted to do, how she wanted to act and treat people. |
| Mo | mm-hmm |
| Jon | She knew her worth. Yeah. Yeah. |
| George | and She just, she didn’t worry about anybody else’s opinions. I don’t know if I got it from there or my father or whatnot, but I have that same kind of feeling a lot of times. Who cares about anybody else’s opinions as long as you’re happy doing what you’re doing and you’re not hurting anybody else? |
| George | That’s all that matters. That’s what she projected. But those. |
| Jon | Hmm. |
| George | Early duets are where I remember her the most. |
| Jon | Yeah. |
| Mo | You have this kind of self-deprecation kind of stuff. It’s like, I remember hearing a line. |
| George | Mm-hmm |
| Mo | She says, it costs a lot of money to look this cheap. I mean, it’s just like, you know, just like you said, she, I mean, she just leaned into it. |
| George | Yep. mm-hmm |
| Mo | some She just leaned into it and and she took it. well i mean like i said today you know people can’t be criticized at all unless people lose their freaking minds um but she just sort of she accepted with grace and she kind of made fun of it you know |
| Jon | Yeah. |
| Jon | Mm. |
| George | Yeah. |
| Jon | Yeah. And you talk about those duets. we We were we were talking. We were chatting in the break. We didn’t stop talking about Dolly because it was a break. We were still chatting. But I came to the realization that. Porter Wagner. |
| Jon | Uh, Kenny Rogers. Anybody she did duets with. she was She was the secret sauce. That’s why those duets work so well. |
| George | Yeah. |
| Jon | Her voice was the one that blended and and and and filled in the gaps and harmonized so well. and Yeah. Anyway. She was… Look, we talked before the break that she got her big break. Her biggest probably breakout break was the Porter Wagner show. |
| Jon | And in the early 70s, she became… She left the Porter Wagner show as that was ending. Become a solo star. Now… Here’s where we get into. Again, it’s not just that she’s a musician. But her music is like. |
| Jon | Top tier. |
| George | o |
| Jon | transcending the genre of country. Jolene. |
| George | oh |
| Mo | Mm-hmm. Great song. |
| Jon | I will always love you. |
| Mo | Mm hmm. |
| George | o |
| Jon | That it That’s like Whitney Houston caliber, like soulful. burning down the house kind of hyper emotional stuff. You know what I mean? |
| George | Well, it should be. Whitney Houston took that song. |
| Jon | I know, but I mean… |
| Mo | Yeah. |
| George | ah |
| Jon | But when you look at the the performance, it’s not like, oh, Dolly wrote it and then Whitney made it great. Those performances are equal caliber, I’m saying. you know |
| George | Oh yeah, no question. out Now Dolly has said herself that she felt Whitney Houston did a better job. than she did with the song and she was Proud all the way to the bank, she said. |
| Jon | Well. We can agree to disagree. He died. |
| George | but |
| Mo | Yeah. |
| Jon | That’s right. Yep. Yeah, and then… ah So in the 70s. This gets to cross over into mainstream pop. So Moe, this is probably the stuff you’re remembering. |
| Mo | yeah |
| Jon | from uh in in new york Here you come again. And here I go, right? A major crossover hit. A lot of country artists were doing that and in the in the late 70s. Kenny Rogers was another one. you’ll find a lot of success that way. |
| Jon | So at that point, she was no longer just a country star. She was appealing. She was appearing on mainstream television and becoming recognizable far beyond just the people that would be around the Grand Ole Opry. |
| Mo | Yeah. I think it also had to do with just her personality was such that. Every talk show wanted her on there. show. |
| Jon | Sure. |
| Mo | You know, she was just such a joy to have on every show. |
| George | Yeah. |
| Mo | As you you know, that you as a kid, like, you know, the Mike Douglas show that they’ve had, you know, I mean, all those she’s on. |
| Jon | Mm-hmm |
| Mo | Everyone. yeah |
| Jon | And she was charming as hell on every single, every time you saw her. |
| Mo | Oh yeah. And everyone loved her in every single one. |
| Jon | Yep. |
| George | I mean she did have her own TV show for a little while there too. |
| Jon | Mm hmm. Yeah. |
| Mo | Yeah. |
| George | So. You know, I mean. |
| Jon | Yep. |
| George | She was… |
| George | she’s on She’s an icon. We… You know, people use that term these days maybe a little too often. |
| Jon | Yeah. |
| George | with some people, but… Dolly Parton. 100 % icon. No question. |
| Jon | Well, shall we get to 1980? |
| Mo | Sure. |
| Jon | Nine to five. |
| George | Ah! don’t don’t don’t don’t don’t don’t don’t don’t |
| Jon | Big Gen X. |
| Mo | do do do do do do |
| Jon | touchstone turning point for us. |
| Mo | youtube |
| Jon | ah Dolly Parton. Jane Fonda, Lily Tomlin. We’ve talked about this film before on the show. who Her song nine to five became the title for this massive. |
| Mo | Yeah. |
| Jon | And just the movie was a pop culture hit and she was right in the middle of it. |
| George | Oh. You’re saying nine to five. Oh. |
| Mo | What? |
| George | I thought you were going to talk about rhinestone. |
| Jon | No, not quite the touchstone that nine to five may be, George. |
| George | Ha ha! |
| Jon | Uh… for a lot I think for a lot of Gen Xers like us. That was. The point when Dolly Parton became. Just… A celebrity. Not a country music star. |
| Jon | Not a crossover artist. Not a girl from Tennessee, right? Now she is a celebrity. And that’s that’s there’s the Mike Douglas tour. |
| George | Yeah. |
| Jon | There’s all that stuff, right? |
| Mo | Mm hmm. |
| Jon | Could have been a flash in the pan. Nope. Throughout the early 80s, she became a straight-up movie star. Maybe maybe he wouldn’t have seen it coming with her soft-spoken nature and her… |
| Jon | ah The way Hollywood is kind of cutthroat after nine to five. Best little whorehouse in Texas. |
| George | ah So funny and good. |
| Jon | Yes. Oh, was that Burt Reynolds in that, right? |
| George | So funny and good. |
| Jon | Burt Reynolds in… |
| Mo | Yep, yep, yep |
| George | Burt Reynolds in that? |
| Jon | Yeah. |
| George | Absolutely. And it was a musical. |
| Jon | Yeah. |
| George | that If you can make Burt Reynolds look good in a musical, that’s talent. |
| Jon | Mm hmm. |
| Mo | yeah |
| Jon | Yep. |
| George | I mean… It was so funny. oh my god |
| Jon | let me Let me tell you how popular Dolly Parton was. My parents took me to the movies to see a movie called The Best Little Whorehouse in Texas. |
| Jon | Because it was Burt Reynolds and Dolly Parton. |
| George | Wasn’t just your parents, me and my mother went to that movie. |
| Jon | How bad could it be if Dolly Parton is in it? |
| George | Yeah. Yep. |
| Jon | You know? uh rhinestone is on the list of course is there but i mean That was just. |
| George | yeah |
| Jon | It started regular presence in movies. and television. 1983. That was when we got. The duet with Kenny Rogers, Islands in the Stream. |
| George | Yep. |
| Jon | Huge crossover hit. |
| George | Yeah. |
| Mo | Oh, major. |
| Jon | you know one of the i didn’t I didn’t dig into the the musical stats or anything because, frankly, I was thinking beyond music. but I know that charted. I know Islands in the Stream charted. |
| Jon | I see George furiously typing to help us out here, isn’t he? |
| George | I am right now because um I remember. i’m just remembering i’m trying to remember which |
| Jon | I think it came up We talked about it. |
| George | which ones that popped up. it Oh, goodness. It was on… let me go to charts. Here we go. So… ah europe hot 100 number 11 scottish single sales number one and uk singles Number one, those were weekly charts. |
| George | Uh… I don’t see the charts listed for the American charts, though. |
| Jon | Okay. |
| George | That camp. |
| Jon | i and It had to be up there. |
| George | That’s stupid. Oh, you know why? Because I’m looking at somebody else’s dumb cover of it. |
| Mo | Oh, yeah. |
| Jon | Oh! |
| Mo | Don’t do that. |
| Jon | We don’t want that one. |
| George | Ha ha. |
| Jon | Try again. |
| George | Here we go. Here’s some other weekly charts. |
| Jon | The duet with Kenny Rogers, right? |
| George | Let’s see. All right, Billboard Hot 100 number one, Hot Country Songs number one, Adult Contemporary number one, Cashbox Top 100 number one. |
| Jon | There you go. There you go. |
| Jon | Yeah, I guess it charted. |
| George | I think it made it. |
| Jon | I guess number one charts. |
| George | Ha ha! |
| Jon | And that put Dolly Parton in the MTV crowd. |
| George | Mmm. |
| Jon | She wasn’t an MTV artist. |
| Mo | Yeah. |
| Jon | Again, she’s a celebrity. And now she’s now you have these two crossover artists who, in their own right, Kenny Rogers and Dolly Parton doing a duet that’s number one across the charts. |
| Jon | Ah. By the mid 80s. She become one of those rare entertainers who was simultaneously a singer. songwriter, actress, television personality. Pop culture icon. |
| Jon | So look our parents knew her as a country artist who. Kind of. Segwayed. We got to know her. not just as a country musician, but we grew up with her, like I said. |
| Jon | everywhere. Oh. Now. |
| George | Yeah, I mean That song you we were talking about, I’m still looking at stats while you were talking because I was counting. |
| Jon | Mm hmm. |
| George | That song charted in 15- different countries at the time. |
| Mo | Of course. |
| Jon | Not surprised. |
| Mo | Yeah, not surprised at all. |
| George | Now that was not. |
| Jon | Not surprised. |
| George | very often that that would happen in that day nowadays it just charts on spotify or what the fuck ever Countries don’t matter anymore. |
| Jon | Particularly since like… If you go by the numbers, it’s a country song, kind of. |
| George | Right. |
| Mo | Yeah. |
| Jon | I mean, it’s poppy, but you know. |
| Mo | Yeah, and don’t forget, I mean, she also was in movies like a Steel Magnolias. you know |
| Jon | Of course. |
| Mo | You know, which is she did which again, not a singing role, just… |
| George | oo |
| Jon | Oh yeah. |
| Mo | an actress you know and she knocked out of the park And she had so many. I was just looking at IMDb. I’m like, how many movies has she been or TV shows? The list is so freaking long. So I think if somebody asked her to be in something, even as a cameo, she probably did it just because she’s so nice. |
| George | well Yeah. |
| Mo | You know? |
| George | and Every talk show had to have her on 27 times. Johnny Carson, she was a regular on his stuff. |
| Jon | Mm hmm. |
| Mo | What? |
| George | I mean… |
| Mo | I mean she did The Simpsons. |
| George | Yeah. |
| Mo | She voiced herself on The Simpsons. |
| Jon | Yeah. |
| Mo | So, you know, she was pretty much everywhere. |
| Jon | That’s awesome. |
| George | you know And I don’t know when we’re going to talk about it, but… |
| Jon | We’ve been talking. Good. |
| George | Are we going to talk about her park at any point? Because… That was right around this same time frame. |
| Jon | The Dollywood an opening? |
| George | Dollywood, 1986? I mean… |
| Jon | Yeah, I mean, that’s still running strong even today. |
| George | Crazy. |
| George | Mm hmm. |
| Jon | That’s been cooking. |
| Mo | Yeah. |
| Jon | I’ve never had a chance. Now, you said you’ve been meaning to go. I i used to vacation pretty regularly up in Sevier County, but I’ve never been to Dollywood. |
| George | Oh wow. |
| Jon | Mo, did you ever make it up there? |
| Mo | No, never. |
| Jon | Yeah. |
| George | Hmm. |
| Jon | Yep. |
| George | And. I just watched a video. That’s what I was talking about. You know, documentaries that I’ve been watching lately. |
| Jon | Mm hmm. |
| George | and then People pass away. I was watching a ah documentary about. Dollywood and how better it runs today than Disney parks do. |
| George | Like how it’s better for people. |
| Jon | i saw some of that too i saw some of that yeah |
| George | Yeah. |
| Jon | Yeah. |
| George | And this was like. One of the ones I watched was from a channel that highlights everything Disney. |
| Jon | Mm hmm. |
| George | And they were like, |
| Jon | Yep. |
| George | Oh, but… We finally went to Dollywood for the fifth time and we decided, yeah. |
| Jon | We watched the same video. Yep. |
| Mo | Oh yeah. |
| George | And I was like, holy crap, that’s really… And it. I imagine that that part runs… the way it does because of her because that was her ah yeah she wasn’t about grabbing a bunch of money |
| Jon | Mm hmm. |
| George | She was about taking care of people. |
| Jon | Yeah. Oh yeah. |
| Mo | I mean… and Do you know that? People who work at her park. They get. free education if they want it. |
| Jon | Tuition. |
| George | Mm hmm. |
| Mo | retuition she covers all of it like every penny she will cover if they want to go back to school |
| Jon | Yeah. Mm hmm. |
| Jon | Mm hmm. |
| George | Well, that’s what we got ah we got a whole segment of that coming up. |
| Jon | Not just that. |
| Jon | Yeah. yeah not just that if she if they get a Uh… If they get a degree. She will hire them back at a higher tier. Like if they go to culinary school, she’ll hire them back as a chef if they were a waitress or whatever. |
| George | Yep. We did watch the same video |
| Jon | She opens the door. to come back we did watch the same video i know we did Now. |
| George | Yep. |
| Jon | We’re starting to segue into what our next segment is about. We’ve been talking about her rise to prominence and her musical career and her television career as a celebrity, but… Okay. All that stuff brings you wealth. |
| Jon | She didn’t sit on that. She took her wealth and rolled it into philanthropy to help. everybody she could reach. So, uh… We’re going to talk about some some of, not all, some of her philanthropic works. |
| Jon | right after this break. Stick around. |
| Jon | Great. Okay. |
| Jon | Okie dokie. So. Philanthropy. Here we go. In five. Four. three |
| Jon | Now, realistically… It’s this segment that we’re going to start talking about now, which is the reason that we’re doing ah a backtrack about Dolly, not just because she was a great vocalist and a great singer and a TV celebrity. but it’s the impact she made on people. |
| Jon | that made us care about her, even though… We couldn’t pick up the phone to call her. Like we said earlier. We felt like. Maybe if… If we had her number, she’d probably answer. You know, it’s one of those things. |
| George | mm-hmm |
| Jon | Cause she cared. She was giving. So late 80s, 1988. Before it was a theme park, I guess just after it became a theme park, the Dollywood Foundation. It was a nonprofit she created to improve educational opportunities for children in her home. county in East Tennessee. |
| Jon | And education was something that she was. Throughout her career, she was very… um very adamant about supporting. 1991. She was concerned about local high school dropout rate. |
| Jon | So she promised seventh and eighth graders. $500. if they graduated. Not some of them, all of them, right? It’s the Michael Scott, the thing, right? |
| George | I know, I was just thinking the same thing. |
| Mo | Yeah. |
| Jon | Yeah, right? |
| Mo | except he Except she actually did it. |
| George | I was waiting for a moment to start singing the song. What you gonna do? |
| Jon | So here’s the thing. |
| George | Make your dreams come true. |
| Jon | Your seventh and eighth graders, $500 if they graduated, provided… Their buddy graduated too. So she made the kids accountable for one another? Like, dude if i you don’t graduate, I won’t get the money and you won’t get the money, you know? |
| Jon | She made them support each other. Genius. Dropout rate amongst those classes fell from 35%. to 6%. ah |
| George | Nuts. |
| Jon | Simple incentive. Tangible results? spend a little money. Money that she had. |
| George | Mm. |
| Jon | and she She didn’t get joy out of sitting on money, clearly. She got joy out of helping other people. Let’s move ahead to 1995. probably her greatest philanthropic legacy. |
| Jon | Inspired by her father, who could neither read nor write, Dolly began mailing a free book every month. to children from birth through age five, regardless of family income. |
| Mo | Yeah. |
| Jon | She started in her home county and eventually expanded internationally. Today, it sends more than 3 million books. every month. For Gen Xers, like us specifically, this arrived just as our generation was becoming parents. |
| Jon | So a lot of Gen Xers know Dolly not from 9 to 5 or Jolene, but… because her books showed up in their children’s mailboxes, encouraging them to read. |
| George | You know. it’s I think about. That one in particular, because I saw her do interviews. on her book program. |
| Jon | Mm hmm. |
| George | I can’t even count how many times. |
| George | I mean just imagine the The sentiment. and And I know we we try to stay away from politics and religions in the show, but I’m just going to. She was embodying that whole. |
| George | If you give, God will return it to you tenfold. |
| Jon | Mm hmm. |
| George | idiom. in her philanthropy because You imagine she started off just giving the books to people in her county. Now it’s giving 3 million books every month worldwide, right? |
| George | That couldn’t sustain itself. unless people saw what she was doing. and wanted to contribute and be a part of it. |
| Jon | and want to be part of it. |
| George | And. There are very few of these missions that people set out to do that stay pure. |
| Jon | Mm hmm. |
| George | oftentimes we see somebody starts a charity next thing you know there’s embezzlement or you know some bad circumstance happened to somebody that it was supposed to be helping or something You’ve never seen that with anything that Dolly Parton. |
| Jon | Yeah. |
| George | organized because I feel like she stayed on top of all these things. While still. performing |
| Jon | Yep. |
| George | And. opening up a theme park and being on television she did all I don’t think the woman ever slept. |
| Jon | Her heart was at the heart of these things. |
| George | Mm-hmm |
| Mo | The thing I love about all the good works that she did is that they’re all… Very… specific and targetable things. Like, there wasn’t… |
| Jon | Practical. |
| George | Right. |
| Mo | It wasn’t like, oh, I’m going to feed all the children in the world, or i ah I’m going to get rid of hunger. |
| Jon | Right. |
| George | Right, yep. |
| Mo | you know It’s nothing like… |
| Jon | Right. |
| Mo | Yeah, which you can’t. when it’s like can you measure it she’s like i want every kid to read so i’m gonna send them a book You know. |
| George | But I’m going to start in my county. |
| Jon | Yeah. |
| Mo | Exactly. |
| Jon | And let’s see how it goes. |
| Mo | We’ll start small and see how it goes. |
| George | Yeah. |
| Jon | Maybe we’ll grow it. |
| Mo | Yo. |
| Jon | Right? |
| Mo | you know we’re gonna you know i want high school rates to drop You know, I’m a. |
| George | Yeah. |
| Mo | Start this simple program. If you graduate, you get money. If you do your butt, I mean. Just very simple, very actionable, very easy to track. |
| Jon | Mm hmm. |
| Mo | how well it’s doing. You know? |
| Jon | Yeah. |
| Mo | I mean, it’s… I mean, they’re almost genius. I wish most charities just kind of did this, like just focus on something and just. |
| Jon | Cheers. Just make it simple. Yeah. |
| Mo | Yeah, just keep it simple. |
| George | Unfortunately. unfortunately most charities get corrupted. by human beings. |
| Mo | Yeah. Yeah. |
| George | She was just incorruptible. |
| Jon | Yep. |
| Mo | Yeah. |
| Jon | Yep. Now, I told you I used to vacation up in Gatlinburg. And so you might remember. in 2016. Wildfires. Devastated. like the places i would go and stay burned down like it was |
| George | Yeah. |
| Jon | Families have lost homes and everything. And that’s, she started, that was her people. She started this fund called the My People Fund. After those wild wildfires came through Gatlinburg and Sevier County, |
| Jon | She immediately created a fund for families who had lost their homes. more than 900 families, ultimately received assistance totaling $10 ,000 per family. |
| George | Wow. |
| Jon | And her benefit efforts raise millions for recovery. for the entire region. Because that’s our home. |
| Mo | Mm-hmm |
| Jon | I remember hearing people that had no home, they had no clothes, had no whatever, and… She’s signed up with Dolly. And there wasn’t like a. a vetting process. Do you deserve it? Are you destitute enough? |
| Mo | Yeah, it didn’t matter. |
| Jon | I was like, here, let me help. |
| Mo | Yeah. |
| Jon | Here, let me help. |
| George | That’s… |
| Jon | Yep. |
| George | That’s simple math. That’s $9 million. dollars |
| Jon | Yeah. |
| Mo | Mm hmm. |
| Jon | There you go. |
| George | That she put out of her own pockets to help people. in a time when we have other Very important figures trying to take those kinds of things away from people who need it. |
| Jon | ah Oh I know. |
| Mo | Oh, I know. |
| Jon | Yeah. |
| Mo | I yeah i know. |
| Jon | Yeah. |
| George | That’s Crazy. |
| Jon | Yeah. |
| George | Awesome. I mean… you talk about you know like we always hear the negatives the bad news this is the good news stuff i don’t need to see all the bullshit bad stuff that’s going on in the world if news stations john you are a news guy |
| Jon | Yeah. |
| George | If those goddamn news stations would focus on these stories all the time. I feel like we would find a way to be a better. race of creatures than we are now. |
| Jon | Hmm. |
| George | That’s crazy good. |
| Jon | Yeah. |
| Mo | Yeah. I mean, yeah like you said, it’s like you know her. Imagination Library thing. I mean. you know the government cut funding for that. Because they were actually contributing money to it. |
| Mo | Yeah. I mean… Yeah. Just give me a kid a book. |
| Jon | Right. how How tough is that? |
| Mo | How could that be bad? |
| Jon | ah |
| George | But we can… But we got no problem spending $20 billion dollars on another bomber. And I worked on those goddamn things. And I’m telling you. |
| Mo | Yeah. |
| George | That’s bullshit. If we would just take care of people to the same degree we wouldn’t have half the problems we have right now. |
| Jon | What? what What a great way to spend your wealth. |
| Mo | Mm hmm. Yeah. |
| Jon | You know? |
| George | oh |
| Jon | You can watch the numbers stack up or you can see it doing good in the world. |
| Mo | Shit. |
| Jon | No wonder. No wonder she’s a good person. |
| Mo | Yeah. |
| Jon | She was doing good. It was coming back at her. Yeah. |
| Mo | Yeah. And she had plenty. I mean, she lived. A very great lifestyle, which I… She deserved every second of it, you know? |
| Jon | Oh yeah. That’s right. |
| Mo | But. sheep. You know, all that excess, she did good stuff with it. |
| George | Well, that’s what that religious moniker does. It’s not about receiving… cash back tenfold. |
| Mo | Mm hmm. |
| Jon | Mm hmm. It’s about receiving |
| George | It’s about receiving the good vibes. |
| Jon | Good. Yep. |
| George | basically back. |
| Jon | Yeah. |
| George | tenfold and Boy, I tell you every time I’m starting to tear up again. We better move on God damn it. |
| Mo | Yeah. |
| Jon | It’s easy. It’s easy ah So when the apocalypse hit 2020 with COVID-19. |
| Mo | Yeah. |
| Jon | Virus came through. |
| George | Yep. |
| Mo | That seems so long ago. |
| Jon | ah Dolly Parton. Personally donated $1 million dollars to Vanderbilt University. for COVID research. |
| George | Yep. |
| Jon | She’s like, I don’t know what’s gonna fix this, but I know my money will help. |
| Mo | said And here’s people smart enough to actually do it. |
| Jon | Part of that… Right, right. I can’t do it. But part of that funding supported critical early research connected with the Moderna vaccine, including. Testing responses generated by the vaccine. It turned out what initially sounded like another celebrity donation into something with very real. Global. impact. |
| Jon | Yeah. |
| George | You say it sounded like another celebrity donation, but how often… Do we see celebrities just asking? |
| Jon | Yeah. |
| George | All of us to donate. |
| Jon | To give, yeah. |
| George | Without putting their own money where their mouth is. |
| Jon | Yeah. |
| Mo | Mm hmm. |
| George | Anytime there’s a natural disaster, 20 million celebrities come out. You guys should really… Send your money. Here’s the QR code. Go to this thing on your screen. |
| Jon | Yeah. |
| George | Dial 1-900-GIVE-ALOT or whatever. They’re not donating that money themselves, though. |
| Jon | Like I can just help. |
| Mo | Yeah. |
| Jon | Yep. |
| George | Right. But she just… She didn’t ask nobody. She just said… Here’s a million. Go do what you can, please. That’s… Beautiful. It’s all… Her, Sam Jackson, a few others are those kind of people. |
| Jon | Mm hmm. |
| Mo | and And don’t make a big deal of it too, right? |
| George | Mm. No. |
| Mo | She just gave the money. |
| Jon | Right. |
| Mo | Yeah. |
| Jon | Yeah. um I heard about it on the news because I saw a picture of her getting the shot. |
| Mo | Of course. |
| Jon | But otherwise, yeah. |
| Mo | And I’m sure Vanderbilt probably wanted to publicize it too to get more donations, which is fine. |
| Jon | Sure. |
| Mo | you know But she herself did not do it. |
| George | yeah like you don’t that’s not a press release she put out |
| Jon | Yeah. |
| Mo | Yeah, exactly. |
| George | Exactly. |
| Jon | Right. There’s… there’s There’s tons. You could keep digging. But in general… Look, she believes in health care. disaster relief. She put money back in Tennessee communities. |
| Jon | She helped raise a million bucks for women’s health care and birthing center in Sevier County. $700 ,000 for Tennessee flood victims in 2021. |
| George | Mm. |
| Jon | scholarships. And even this year. before she passed. directing proceeds from from new music she did toward pediatric cancer research. |
| George | Mm. |
| Mo | Yeah. |
| Jon | I don’t have to tell you. |
| Mo | It… |
| Jon | we We lost a good one, y ‘all. |
| Mo | Yeah, and it just makes me more… upset of all the f freaking billionaires we have right now. |
| Jon | Who could do the same thing if they just and wouldn’t and wouldn’t feel it. |
| Mo | Could you could do it and it wouldn’t It would be a rounding error. It would be a rounding error. |
| Jon | Right, exactly. yeah |
| Mo | You know. |
| Jon | Hmm. |
| George | Even compared to like she’s Dolly was wealthy. No question. |
| Mo | Oh yeah, absolutely. |
| Jon | Yep. |
| George | But she’s not. billionaire wealthy. She’s certainly not. |
| Jon | She… |
| George | Elon, fuck you, trillionaire wealthy. |
| Mo | No. |
| Jon | She could have been a billionaire if she’d Saddle net money, right? |
| George | Right. |
| Mo | Yeah, sure. |
| Jon | You know what I mean? |
| George | Exactly. |
| Mo | Probably, probably. |
| Jon | Right. |
| George | Yeah. If she’d have just put it in a goddamn savings account, the interest alone would have made her a billionaire. |
| Jon | Yeah. |
| Mo | Yeah. |
| George | Nope. |
| Jon | Yeah. |
| George | She was out doing good. |
| Jon | Okay. One more segment. ah We get back. We’re going to talk a little bit about. As if we haven’t already, some of the lasting legacy she’s left behind since she passed away just a few days ago as we record this. so Stick around. We will wrap it up right after this. |
| Mo | So the next section is only two things that I put in there. ah One is about… |
| Jon | Okay. |
| Mo | I’ll always love you with Whitney Houston and the money she… Did you use that money for? And then you heard about her 100. Your birthday thing, right? |
| Jon | What what? |
| Mo | You didn’t hear about that? She has a new song. |
| Jon | What? |
| Mo | that she made? that will only be released on her 100th birthday. |
| Jon | Oh, right. Because she said, I bet I’m not around to hear it, that to hear it released. |
| George | Oh yeah. |
| Jon | I remember talking about that. |
| Mo | Yep. and So it’s actually Lux in a… time capsule with a CD player. So you can play it. |
| Jon | I’ll be damned. k KCD players aren’t around. |
| Mo | in case any players aren’t around, but it’s only released on her 100th birthday. |
| George | so |
| Jon | Okay. |
| Jon | In most any backtrack we do, this last segment is usually about. the legacy of the thing, the movie we’re talking about or the the video game we’re talking about or whatever. In this case, we’re talking about the life of a wonderful lady who. |
| Jon | She was already famous when we all got here. You know what I mean? |
| Mo | Yeah. |
| Jon | She was part of the fabric of our Gen X experience. And then she stayed and she evolved over time. She continued to maintain relevancy. Um, |
| Jon | So like. The crazy thing is the person that we admired at the end. Wasn’t all that different from the person that. |
| Mo | No. |
| Jon | came out of the old Tennessee shack with 12 kids, you know? Yeah, I mean, she… You know, people figured out there’s more to her than. Her bust and the hair and the rhinestones and the jokes and stuff like that. It was the person we’re talking about here. |
| Jon | August 25th. 2026 Dolly Parton passed away at the age of 80. years old. and the tributes. are still happening. I opened my news feed and half of it is Dolly Parton, Dolly Parton, Dolly Parton. |
| Mo | Yeah, of course. |
| Jon | People want to, people want to talk about their experience with her and what she meant to them, right? And it it shows what we’ve talked about so far. what she was to us as a generation. was far beyond her. |
| Jon | country music appeal or whatever she did in TV and movies, you know? |
| Mo | Matter of fact, I just saw a video before we started recording this. um at the changing of the guard at Buckingham Palace. |
| Jon | Yes. |
| Mo | Yeah, they have a band that plays with them And. |
| Jon | Yep. |
| Mo | They usually play… you know you know, whoever, you know, go along with the queen, whatever. |
| Jon | Like a buck, some March or something, whatever. |
| Mo | Yeah. |
| Jon | Yeah. |
| Mo | They played nine to five. |
| Jon | I saw that. |
| George | Yeah. |
| Jon | Mm hmm. |
| Mo | It was the most amazing. I’m going to put a link to the video because it is. It was just amazing that here in England, and you know, the most |
| Jon | Yeah. |
| Mo | stoic staunchy ritual that they have. They decided to take the time and actually… Learn and then play the song. |
| Jon | Yep. |
| George | the The video I just watched earlier this week was the Empire State Building turning pink. |
| Mo | Mm hmm. |
| George | for her. |
| Jon | Mmm. Mm hmm. |
| Jon | Of course, there’s her music. Jolene. Nine to five. Code of many colors. I always love you. Look, they’ve already. State hits. |
| Jon | for generations. |
| Mo | Yeah. |
| Jon | Right. Um, With us, there’s a little extra connection. |
| George | ah Generations. I mean even Miley Cyrus did the remake. |
| Jon | Hmm? Yes. Yeah. |
| Mo | Yeah, yeah. |
| George | The, the re. Yeah, did ja Jolene in their backyard concerts. |
| Jon | Yeah. |
| Mo | Yeah, yeah. |
| Jon | Mm hmm. |
| George | Yeah. |
| Jon | It wasn’t. ah Miley Cyrus was… |
| Mo | Her goddaughter, her goddaughter, yeah. |
| Jon | Goddaughter? Right. |
| George | Yeah. |
| Jon | Dolly Parton. She was the godmother. |
| Mo | Mm hmm. |
| Jon | Right, right, right. |
| George | Yeah. |
| Jon | um We have the extra connection, of course, because… We knew the original Dolly and then we watch Whitney Houston cover her and get famous and made a defining record of the nineties, you know, out of what we already knew. |
| Jon | It was. |
| Mo | Yeah. Via. |
| Jon | Stunning. |
| Mo | She sang, you know, I Will Always Love You, which was… |
| Jon | Hm? |
| Mo | It’s still an amazing, amazing song. |
| Jon | Yep. |
| Mo | um Yo, Dolly Parton, she was also really smart. especially with business because she retained all the publishing rights to all her music. So when she when Whitney Houston did I Always Love You, Dolly Parton made like $10 million dollars off of it. that song. |
| Mo | But… She took the royalties and she used it to invest in property in a black community in Nashville. And she called it like the house that Whitney built. |
| George | Right. |
| Mo | Like she didn’t want like her name on it. She’s just like. you know, Okay. And she also said that you know she… thought that Whitney Houston’s version of the song was phenomenal. like And she would talk it up. |
| George | That’s what I was saying earlier, yeah. |
| Jon | Yeah. |
| Mo | Yeah. |
| George | She thought it was better than hers. |
| Mo | Yeah. |
| Jon | Yep. That’s the thing. You know, I made $10 million. dollars And immediately she’s like. What can I do with it to make things better for somebody, right? |
| Mo | Yeah. |
| Jon | It it wasn’t like let’s add a zero somewhere. |
| George | Yep. |
| Jon | um Her other pop culture stuff, of course, we’ve talked about. The films, 9 to 5, Best Little Whorehouse, Islands in the Stream. Talk show appearances. Uh… |
| Jon | yeah i think I think this thing that I found somewhere that somebody said was. You didn’t have to own a single… Dolly Parton. album or song or single to know exactly who Dolly Parton was. |
| Mo | For sure. |
| Jon | That’s how impactful she was. She proved that reinvention didn’t require abandoning who you were. Country singer. pop star, actress, songwriter, businesswoman, theme park owner, philanthropist. |
| Jon | And still, she was just Dolly. Rock and Roll Hall of Fame specifically cited the ability to cross genres and media. while remaining authentic as the reason she was inducted. |
| George | Yeah, I remember. She did an interview about that being inducted in the Rock and Roll Hall of Fame where she said, I had to go learn how to play rock music for a little while. |
| Jon | Right. Well, she entered the country music hall in 99. Rock and roll hall in 22 that you’re talking about. and Ultimately, her career encompassed more than one hundred million records sold, and thousands of songs written. |
| Jon | her charitable work. Keeps operating. After she’s gone. The Imagination Library may be one of the most literal examples of a legacy continuing after death. Children will continue receiving books with Dolly’s name on them. Long after the generation that… first knew her from television has grown old. |
| Jon | How about that? |
| George | Yep. |
| Jon | Yep. Maybe the biggest legacy. It’s just goodwill. She achieved something that… are is surprisingly rare for somebody famous for more than. 50 years she was famous. |
| Jon | People might disagree about music, politics. generations or almost anything else. And somehow we all agree. We like Dolly Parton. |
| Mo | Well, I don’t think she judged people too. That’s the other thing. |
| Jon | Right? Isn’t it something? |
| Mo | you know she just egg wherever you were whatever you believe but she just accepted you you know and was your friend she’d even be your friend you know it was just |
| Jon | Yep. |
| Mo | you know and she encouraged it too in some cases you know it’s it’s she’s just ah just such a good person it’s just It’s hard to believe that people who are like like exist. |
| Jon | Yeah. |
| Mo | You know, in a sense. |
| Jon | I know she’s an anomaly. I wish you weren’t. I wish you were the norm. I wish it was boring because there’s so many people like her, but I just, there aren’t right. |
| Mo | Yeah, exactly. Oh, another dolly. you know |
| Jon | Another philanthropist giveaway wealth. |
| Mo | Yeah. |
| Jon | It’s just. |
| Mo | Yeah. |
| George | you know it’s I don’t say this to. elevate myself or my mother in any way but my mother and Dolly Parton Share. way too many personality traits for it to be. |
| George | a coincidence that they came from the same kind of backgrounds the appalachian Dirt pour. No. |
| Jon | Right. |
| George | floor in your house kind of situations. My mother doesn’t have… hundreds of millions of dollars. But she does the same kind of thing that Dolly Parton does. If there’s somebody that she can help. |
| Jon | Mm hmm. |
| George | She helps them. If there’s something she can give. Even if it takes away from her. it’s an It’s not even a thought. She doesn’t have to make a decision. It just happens. |
| George | I see her treat. |
| Jon | Mm hmm. |
| George | people that way. animals that way, it’s… It’s just something Natural. for a lot of the people who grew up. in that part of the country in those conditions that it just kind of If you go. To those places, John, I know you |
| Jon | Hm? |
| George | vacationed a lot in… |
| Jon | Yep. |
| George | that area. Of course, I grew up there and still went back there. quite often and i know i give my kentucky hillbillies a hard time a lot of times because i moved away at all but the truth of the matter is When you talk about salt of the earth people. |
| George | That’s salt of the earth people. And Dolly Parton just happened to… be the most financially successful. who ended up being The most. visible. |
| George | of those. types of people. |
| Jon | It seems like it kind of fosters a certain sense of community and responsibility that might not be as universal anymore. |
| George | Yeah. |
| Mo | Yeah. |
| George | Yeah. |
| Mo | For sure. The last thing I just found out about her, which… it’s It’s almost too perfect. is that she actually has a song that will only be released on her 100th birthday. |
| Mo | So it’s going to be released on January 19th, 2046. |
| George | Wow. |
| Mo | So it gives me encouragement to stay in the round for another 20 years. |
| Jon | ah Hang in there, Mo. |
| Mo | Right. Stay healthy. You got to hang in there. |
| Jon | Hang in there. |
| Mo | and it’s it’s And it’s titled My Place in History. And she even included a CD player with it. In case there weren’t any CD players around to play a song. |
| Jon | ah |
| Mo | I know. |
| Jon | appropriate. |
| Mo | Yo. But think of the events when they… |
| George | Always solving problems. |
| Mo | but see Think of that event, though, in 20 years. |
| Jon | Yep. |
| George | Right? |
| George | Mm. |
| Mo | You know, when they actually do it, it’s. |
| Jon | It’ll be cool. Something to look forward to. |
| Mo | It’s going to be a thing. I’m sure. |
| Jon | Yeah. Yeah. A very atypical kind of backtrack for us, but one that I feel really good about. I’m really glad that we took this little detour, spent some time talking about somebody that deserves to be recognized and applauded. |
| Jon | Um, throughout her life and now in this case posthumously so we miss you dolly and we’re glad we glad we had you for as long as we did |
| Mo | Yeah. |
| Jon | That gentleman is going to wrap up this backtrack. Don’t worry if you were worried. We will have another one coming your way in a couple of weeks. Next week is the standard edition of our show. Until then, I am John. George, thank you so much for being here, pal. |
| George | Yes, sir. |
| Jon | Mo, you know I appreciate you. |
| Mo | Always fun, man. |
| Jon | Fourth listener to you, we all three appreciate most of all, and we can’t wait to talk to you again next time. Bye-bye. |
| George | See you guys. |
| Mo | Take care, everybody. And I am good. |




